cross-posted from: https://beehaw.org/post/24287458

I don’t usually keep the author’s name in the suggested hed, but here I think he’s recognizable enough that it adds value.

I am a science-fiction writer, which means that my job is to make up futuristic parables about our current techno-social arrangements to interrogate not just what a gadget does, but who it does it for, and who it does it to.

What I do not do is predict the future. No one can predict the future, which is a good thing, since if the future were predictable, that would mean we couldn’t change it.

Now, not everyone understands the distinction. They think science-fiction writers are oracles. Even some of my colleagues labor under the delusion that we can “see the future”.

Then there are science-fiction fans who believe that they are reading the future. A depressing number of those people appear to have become AI bros. These guys can’t shut up about the day that their spicy autocomplete machine will wake up and turn us all into paperclips has led many confused journalists and conference organizers to try to get me to comment on the future of AI.

That’s something I used to strenuously resist doing, because I wasted two years of my life explaining patiently and repeatedly why I thought crypto was stupid, and getting relentlessly bollocked by cryptocurrency cultists who at first insisted that I just didn’t understand crypto. And then, when I made it clear that I did understand crypto, they insisted that I must be a paid shill.

This is literally what happens when you argue with Scientologists, and life is just too short. That said, people would not stop asking – so I’m going to explain what I think about AI and how to be a good AI critic. By which I mean: “How to be a critic whose criticism inflicts maximum damage on the parts of AI that are doing the most harm.”

  • HaraldvonBlauzahn@feddit.org
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    16 hours ago

    Doctorow writes:

    After more than 20 years of being consistently wrong and terrible for artists’ rights, the US Copyright Office has finally done something gloriously, wonderfully right. All through this AI bubble, the Copyright Office has maintained – correctly – that AI-generated works cannot be copyrighted, because copyright is exclusively for humans. That is why the “monkey selfie” is in the public domain. Copyright is only awarded to works of human creative expression that are fixed in a tangible medium.

    And not only has the Copyright Office taken this position, they have defended it vigorously in court, repeatedly winning judgments to uphold this principle.

    The fact that every AI-created work is in the public domain means that if Getty or Disney or Universal or Hearst newspapers use AI to generate works – then anyone else can take those works, copy them, sell them or give them away for nothing.

    Genius.